2009 already. Wow! How did that happen?
The 2008 holiday season kept me busy every single minute right up to - and past - Christmas. Friends tell me that my feeling of being squeezed between Thanksgiving and Christmas happened because Thanksgiving was so late. Perhaps. My father's birthday also fell on Thanksgiving this year, so between November 27th and January 2, my family celebrated three birthdays, an anniversary, and three major holidays. That will put pressure on anyone.
More than that, I made two significant Christmas gifts this year: a tee-shirt quilt for my youngest daughter and hand-marbleized quilting fabric for my mother.
Disclaimer: I marbleized the fabric, I did not make the fabric.
I constructed Victoria's quilt from tee-shirts of hers that go all the way back to kindergarten. Since she is now a senior in high school, that is q long time and a lot of tees. I made the process up as I went along, with coaching from my sister-in-law Judi that helped me avoid some big mistakes. Working with tee-shirts presents unique problems. They are knit and soft and slippery, especially old, well-worn tees, and you cannot really cut them uniformly, a must in quilting. So the cutting step got extended. First I reduced the tee-shirts to separate fronts and backs with no sleeves, collars, or seams. Next, I ironed fusible interfacing onto each piece. Then I recut all the pieces to square, so they would sew up together properly.
The next step in creating a quilt is to sew the pieces together to create your quilt top. I alternated fronts and backs, mixing them up so that the colors varied as much as possible. Apparently, most message and organizational tee-shirts are white, black, or gray, so I worked with a fairly limited palette. For the back of the quilt, I used a nice piece of cream colored cotton with tiny treble clefs and musical notes printed densely on it. (Victoria is a talented musician, playing the flute, piano, and singing.)
The top and bottom of the quilt sandwich around batting, the stuff that makes a quilt warm and soft. I do not care for the basting or pinning that one must do to hold a quilt together for finishing, so I tried something new this time - a fusible batting. It turned out to be fine, but I inadvertently purchased crib-sized batting, so I had to piece two of them together in order to make Victoria's quilt. Then I had to crawl around on my tile floor, ironing and steaming the entire quilt to fuse it together. A tedious process at best, but I did it.
I had decided to machine stitch this quilt because I could not possible hand quilt it in time for Christmas 2008, but I had never machine quilted before and I had a brand new sewing machine that I wasn't practiced with. Hmmm ... could this point to trouble ahead? Well yes, but I won't bore you except to say that an entire three-layer quilt is a LOT of fabric to squeeze through the small opening under the arm of a standard-sized sewing machine. Imagine my reaction as I came to the end of my diagonal, red thread quilting and discovered that I put one of the tee-shirt rectangles in inside out! Picking out stitching, taking apart seams, turning the fabric, resewing it into a (heretofore) finished quilt and replacing all the stitching provoked a highly colorful, nearly continuous, stream of bad language from my kitchen. (I had to relocate my sewing machine cabinet to the kitchen so I could use my kitchen table to hold the quilt while I machine quilted.)
All-in-all, making this quilt is not a task I am eager to reprise, although given some time, I might relent. The finished product turned out better than I deserved it to based on my skills. And Victoria loved it, which count more than anything.
Here are a few photos of the finished quilt.
My next project for Christmas - marbleizing fabric for my mother, a creative, prolific, and talented quilter who has made over a hundred quilts in the last 20 years. I only recently learned how to marbleize anything, and this would be my first solo endeavor. My materials were quite old and not as sophisticated as the materials that my teacher provided, but I did my best.
Aside: I took the class from Galen Berry, a fabulously talented artist from Oklahoma, at the Museum of Printing History in Houston, a unique venue that anyone who can visit should visit.
The main deficiency, if it is one, of my marbled fabric is that the designs are quite light and not the visit hues that Galen's paint produced. But everything doesn't have to be vivid, so I made my mother 9 subtle, color-coordinated fat eighths (a quilting term meaning an eighth of a yard plus a bit - thus the "fat" part of the name.) I made each one increasingly darker, to give her the opportunity to create interest with her piecing. She really liked them, which delights me. When I get new paints, I'll make her a set of vivid fat eighths to make another quilt with ... because Mother is undoubtedly going to make another quilt as soon as this one is done!
Take a look at the fat eighths I marbleized for her:
I feel good about these two accomplishments, although the time I spent making them kept me from doing other things, like blogging. I intend to catch up, but not all in one sitting, so watch for me to return with more tales of my holiday season.